All posts with the ‘silver’ Tag


Moon Snail


My newest painting/collage, the mighty Moon Snail.


Working on the Snail Lady painting gave me the itch to do some more snail-centril paintings.



Several years ago I bought a sheet of this awesome shiny, silver sticker paper stuff, but never had a good project to use it on. UNTIL NOW. The nice thing about sticker-y paper is that I don’t have to use glue! I just cut out the shape I want and then peeeeeel off the backing. So nice.



Sometimes when I start a painting I have an idea for what I’d like to do in the background behind the figure– this was no such case. I knew I wanted to do the snail and I knew I wanted to use the black patterned paper, but all the background elements came together as a series of experiments of snipping out different shapes and shifting them around on the panel until I found something that worked. Very much like putting a puzzle together, except that you’re cutting out your pieces as you go and some are going to get chucked in the end.

My favorite thing about this piece is how incredibly shiny it is, way more than anything I’ve ever done before! Unfortunately, that makes it difficult to photograph– but I think you can get a pretty good idea from these pictures. What are those birds that love shiny things? Magpies? Man, I don’t know, but this is me collecting bits of reflective material and lining my nest with it.


By the way, you’re coming to see me in Seattle at the Jet City Comic Con this Saturday, September 22nd, right?


Silver Jellyfish


As I mentioned in my last post, my Silver Jellyfish screenprint is now available!


I designed the jellyfish with my (sold out) Silver Octopus design in mind, so they could be companion pieces together. You can see how they basically fill up the same shape so they can be perfect compliments to each other– or stand alone just fine as well.


Using silver ink, I silkscreened each print onto Canson indigo blue 98lb pound paper. Out of the 30 prints I created, 16 of them are 10″ x 10″ (the same size as the octopus print) and then 14 of them I printed on 8.5″ x 8.5″ paper so I could give the smaller prints away for free to the people who order my book Super Pack until May 16th.


Buy a fullsize print or get a miniprint for free!

So yeah! That is what I have been up to recently.


Erika Moen’s Posters, books, prints and original artwork

Silver Octopus screen prints are heeere!


Gaze upon the fruits of my exasperated labor!

Yes, VICTORY! I have created my first series of silk screened prints since I took that class last year — and I made them without any teacher assistance!

Of course I’m going to walk you through every step, I mean, how could I not?

On the last day of class in May 2011, Joanna, another student, asked if I’d be interested in silk screening at her house if she managed to set up a DIY printing studio. Of course I said yes! Fast-forward to January 2012 and I had completely forgotten about that conversation– until I got an email from her letting me know that she had successfully constructed a pretty swanky studio in her basement and would I still be interested in trying it out.

With a date set, now I had to get a design together! Oh crap! Originally I wanted to do something with two colors, but then I remembered that the last time I did this sort of thing was half a year ago in classroom that was packed to the gills with the most sophisticated and expensive screen printing equipment available, so maybe for this first session I should stick to something a little more simple.


With that in mind, I sketched up this octopus with the intention of keeping it mono-colored, so I wouldn’t have to worry about registration.


After scanning in my sketch, I drew over it in Photoshop to make stark black and white line art that I would then use to burn into my screen.


The digital version was then printed onto a clear plastic sheet that’s typically used for over-head projections.


After 25 minutes of exposure, the screen was ready!


For the printing materials I bought silver Versatex ink and Indigo Blue, 98lb, Acid Free, Canson paper, which I then cut into (roughly) 10″ x 10″ squares. My cellphone there was timing how long my screen was having the design burned into it. And the tea, well, that’s the most important tool of all.


Oh my goodness, people had warned me that metallic ink is difficult to use but HOLY CRAP this first session in Joanna’s home studio was almost a complete wash due entirely to how impossible that fucking ink was. It was like PUTTY. In the entire evening, I only managed to pull one passable print! That’s the one you see above, and even it still has a bit too much texture showing through.

After whining on Twitter, I was informed by people more knowledgeable than I that I would have to cut the ink with a medium to make it more liquid-y. Which is exactly what I did at our next session, a week later. Oh, and I also switched brands to Speedball’s metallic ink, which helped enormously as well. The medium I used with Golden Mediums Silkscreen Medium, if anybody is facing a similar dilemma as I was.


I still had some real problems with the ink drying too quickly inside the screen, leaving little texture-y streaks on each print, but overall I was happy enough with 16 prints (out of 25 attempts) that I feel comfortable putting them up for sale!


I wiiiiiish I could take better product photos / Photoshop them to look like they do in real life D:


But this detail shot came out alright, in spite of my camera-ineptitude.


So yeah! There’s only 16 of these guys! They are all hand made by me! If you would like one for yourself, we can make that dream a beautiful reality.


Erika Moen’s Posters, books, prints and original artwork